Technical Information about Dirknerkle's Lights
Helpful Terminology to Know
Equipment used in our Display
| Olsen 595 controller - this provides
simple on/off control of up to 64 individual channels. A channel can be
connected to a single light, or pair of lights, a whole string of lights or
even multiple strings of lights (usually limited to 3 or fewer per channel
because of electrical limitations). I used one of this in 2009; it was my
primary controller. It will likely remain that way in the near future since
it performs so well. |
![]() Two Olsen 595 controllers |
| Ren-C converter - this gives the Olsen
595 the capability to do gradual light dimming on every channel instead of
only on/off control. A channel can be set anywhere between 1% - 100%
intensity. Being able to gradually control the light intensity up or down
provides very smooth transitions between lighting effects. I used only one
Ren-C converter this year because I used only one Olsen 595. A Ren-C is a
small circuit board that connects between the computer and Olsen 595
controller boar. |
Ren-C |
| Renard SS24 controller - a
self-contained unit that has the built-in electronics of both a controller
and 24 SSRs, as well as the capability to perform dimming. Renard is sort of
a "brand name" in this case. It was developed by a fellow named Phil Short
and if you're the inventor, I guess you can call it whatever you want! The
SS model comes in three channel counts: 8 channels, 16 channels and 24
channels and was a collaborative product created by Wayne James and Phil
Short. I used three SS24 controllers and a couple SS8s (8 channels) in my display this year although I
didn't use all available channels on them. I have other Renard controllers
of my own design that I use as well, |
SS24 in waterproof case |
| Ren-W wireless adapter - this provides a
way to control one or more Renard SS controllers simultaneously by
transmitting the computer control signal wirelessly to other Ren-W units
that are serving as receivers. Converts a normal "hard wired" Renard
controller into a wireless controller that may be placed anywhere in the
yard within about 200 feet of the transmitter, and thus eliminate the cat5
wire. Yours truly invented this adapter, and it saw service for the first
time in my show this year. How did it do? It worked great! I used a
transmitter Ren-W in my garage to send the signal out to the mega tree, which
had a Ren-W receiver/transmitter installed on the SS24 that controlled the
mega tree. That unit then forwarded the signals to other wireless units
also in the yard that were controlling eight mini-trees. In 2010 I sold
more than 200 circuitboards for the Ren-W to other DIY'ers so they can
join in this wireless fun. Wireless control opens the door for
incredible features and functions that are quite difficult to achieve
otherwise. It also can eliminate a LOT of wiring! For complete
information about the Ren-W, click here:
ren-w
information |
Ren-W |
| SSRs - I used a variety of SSRs of my
own design in 2009. Most were 4-channel units to control multiple strings of colored
lights around windows but several single-channel selectable daisy chain SSRs
were used to eliminate extra cat5 cabling runs from the controller box
in the garage. |
1-channel SSR |
| Displays - many of our displays use frames made out of common PVC pipe -- exactly the same pipe that is used for home plumbing because it's inexpensive, easy to form into shapes and plentiful. Normally PVC pipe comes in white, gray or black, and after building a frame with it we paint it either dark green or black so it's not as visible at night. Light strings are attached to the frames using zip or cable ties. We buy these by the thousand because it's not uncommon to use a hundred or more on a single frame. Mounting the lights on frames makes it easier and faster to hang the lights. The frames are securely attached to the house using more zip ties threaded through screw-eyes mounted at various locations into the side of the house, or a tree, etc. | Arch frame |
| Wire. Lots of it. About 1500 feet of cat5 wire alone. Add do that a few hundred feed of extension cables, plugs, connectors, tape, heat shrink tape (to keep moisture out), and you get the idea that this hobby requires its own electrical infrastructure. To some degree, where cables can be safely routed is a concern as displays are designed and placed in the yard or on the house. |
Computer & Software
| The computer we use to design the
lighting sequences and run the show is a Dell GX-280, which is a 2.8ghz
Pentium-4, dual-core unit with 2gb RAM, Windows XP-SP3, a relatively small 40gb
hard disk drive, with standard serial, parallel, video, and a handful of USB
ports. In short, it's a basic PC that one could have bought from the Dell web
site for about $750 three or four years ago. We bought it as a refurbished unit
from a local used-computer company for about $150. Because this computer isn't
connected to the Internet or even our home network, there is no anti-virus or
firewall software installed and running on it. Nor are word processors or any
computer games -- it's really a stripped-down computer that's dedicated only to
our light display. Because it has so little overhead to manage, it runs so fast
and performs so well that it's just a joy to use; it's one of the fastest
computers I own even though I have many others with faster processor chips and
more memory that are bogged down with lots of anti-virus and other application
software. |
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| The software we use to operate our display is a popular software product called Vixen (www.vixenlights.com). Vixen is just a wonderful program designed by a fellow who goes by the initials "KC." He's another Christmas light enthusiast who's made his software available to the public without charge -- which is amazing in and of itself. Vixen looks and acts a lot like a spreadsheet with rows of channels and vertical columns marking periods of time measured in 50-millisecond blocks (20 per second). When a cell is turned "on" at a certain period of time, the channel that cell is assigned to turns on at the same time. So as the timeline bar scans horizontally from left to right in real-time, it scans all available channels for cells that are colored-in and lights those channels; a blank cell means the light is off. Cell values are assigned in terms of a percentage where 100% is "full on" while 0% is completely off. Anywhere in between represents a dimmed value so that a cell that's set to 50% intensity will turn on the light for that cell's channel at 50% intensity, too. Vixen has many editing and other functions and is a rather full-featured, creative and efficient piece of software. In the picture above, you'll see a screen sample of our "Wizards in Winter" sequence which shows various channel names at the far left, a time bar across the middle, and colored-in pixels that turn lights on or off. We use version 2.1.4 of the software which is the most current stable version. A newer beta version of the software is available but until it's past the testing stage, we'll stay with the tried-and-true version. | ![]() |
| How Does It Work? | |
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